From darcygm at QNET.COM Tue Aug 2 01:36:11 2005 From: darcygm at QNET.COM (Gary M. Darcy) Date: Mon, 01 Aug 2005 22:36:11 -0700 Subject: [Squaredancing] (Reminder) National Square Dance Directory Deadline Message-ID: <42EEA3DB.29715.162CEC@localhost> Here's something that is worth reminding ALL square dance clubs about: ------- Forwarded message follows ------- Date: Mon, 01 Aug 2005 02:53:43 -0400 From: Mike Gormley Subject: National Square Dance Directory Deadline Just a reminder, the deadline for new listings and changes for your club to the National Square Dance Directory is August 15th. I don't have any stock in the directory, but have used it often and find information to be out of date at times. I am trying to increase my odds by reminding everybody. Mike Gormley ------- End of forwarded message ------- From cmbaker at tiac.net Sat Aug 13 12:50:28 2005 From: cmbaker at tiac.net (Clark Baker) Date: Sat, 13 Aug 2005 12:50:28 -0400 Subject: [Squaredancing] Re: [sd-callers] Thumb wheel In-Reply-To: References: Message-ID: <8a479a619e06f24cc5dbf2f85719c79c@tiac.net> On the Square Dance calling mailing list we have been having a discussion of the thumb wheel on the mike handle which allows the caller to turn the music level up or down while his voice remains the same. Some callers also do this with a hand on the turntable's music volume control. The discussion centers around the proper use of this feature, with some feeling that it is abused, perhaps abused by most callers. In order to gather some date, I have created a poll about the thumb wheel. Please take the brief poll. If you are a dancer, we want your opinions. Just don't answer the questions that only make sense if you call. Callers, we want your opinions, both when you are dancing to others and when you are calling. http://www.misterpoll.com/588748608.html I will post the results in a few days. -- Clark Baker, Belmont, MA cmbaker at tiac.net From pete241 at pacbell.net Sat Aug 13 14:09:34 2005 From: pete241 at pacbell.net (Pete Herman) Date: Sat, 13 Aug 2005 11:09:34 -0700 Subject: [Squaredancing] Re: [sd-callers] Thumb wheel References: <8a479a619e06f24cc5dbf2f85719c79c@tiac.net> Message-ID: <002201c5a032$2c3ab0e0$6af67643@PetesComputer> Hi Clark - I'm answering your poll knowing that I will cancel out the vote that's probably already arrived from Williams Lake, British Columbia. As a dancer, I think it's fine if the caller uses the thumb wheel during a tip. Actually, I find it sort of interesting. Many of my most favorite callers use it very frequently. As a caller, I rarely, if ever, use it. Why? don't ask, I do not have a reason. Pete Herman ----- Original Message ----- From: "Clark Baker" To: "sd-callers" Cc: "This list for discussing all aspect of MWSD" Sent: Saturday, August 13, 2005 9:50 AM Subject: [Squaredancing] Re: [sd-callers] Thumb wheel > On the Square Dance calling mailing list we have been having a discussion > of the thumb wheel on the mike handle which allows the caller to turn the > music level up or down while his voice remains the same. Some callers > also do this with a hand on the turntable's music volume control. > > The discussion centers around the proper use of this feature, with some > feeling that it is abused, perhaps abused by most callers. > > In order to gather some date, I have created a poll about the thumb wheel. > Please take the brief poll. If you are a dancer, we want your opinions. > Just don't answer the questions that only make sense if you call. > Callers, we want your opinions, both when you are dancing to others and > when you are calling. > > http://www.misterpoll.com/588748608.html > > I will post the results in a few days. > > -- > Clark Baker, Belmont, MA > cmbaker at tiac.net > > > _______________________________________________ > Squaredancing mailing list > Squaredancing at rbnsn.com > http://rbnsn.com/mailman/listinfo/squaredancing_rbnsn.com > From M0220sr at aol.com Tue Aug 16 00:27:36 2005 From: M0220sr at aol.com (M0220sr at aol.com) Date: Tue, 16 Aug 2005 00:27:36 EDT Subject: [Squaredancing] Subject: Roughness in dancing Message-ID: <78.7928c65d.3032c538@aol.com> Why is it that some dancers feel the need to "arm wrestle" when doing a Swing Thru or other types of arm turns? Our club dances "hands-up" (waves, etc.). Invariably there will be one man, perhaps two, per night in the hall that insists in trying to arm wrestle with you in the act of completing a Swing Thru and/or similar movements. He can't just make contact, walk forward and complete the 180-degree turn and release. He has clamp onto your hand and apply an abundance of pressure on the turn usually pushing your arm back and out of the way. This makes it much more difficult to complete the simple movement. This same type of person will also force a lady to twirl even though she has her arm down and not wishing to do so. Does anyone have a similar occurrence and perhaps a solution to this problem? Richard M. -------------- next part -------------- An HTML attachment was scrubbed... URL: From M0220sr at aol.com Tue Aug 16 00:57:48 2005 From: M0220sr at aol.com (M0220sr at aol.com) Date: Tue, 16 Aug 2005 00:57:48 EDT Subject: [Squaredancing] Subject: When in Rome Message-ID: <15b.57084a69.3032cc4c@aol.com> Subject: When in Rome Our club is in an area of the state we are in where it is known that clubs in our general area dance "hands up" (waves, etc.) . When our club dancers visit other clubs in our same area (and when they visit us...) we know that they dance hands-up and everyone has fun. Dancers outside of our general area were taught by their square dance teachers the fore-arm (and sometimes the handhold) grip for waves, etc. We generally have special dances once a month. Out of town callers and cuers. People visit from other states as well as from one large city to our south. >From the city to our south, whose dancers primarily use the forearm grip, dancers come and generally have a pretty good time at our special dances. However, there is just one tiny aggravating thing they do....they want to force you to use their style of grip instead of adapting to the hands-up position like we do. They come to you to do an arm turn or a Swing Thru and will bring your hand down into a forearm grip as much as saying, "You're doing it wrong and I am more than glad to wrench your arm into the proper position for us to get through the Swing Thru....and DON'T DO IT AGAIN!" Why is that? The visitor is traveling into your area, visiting your club, dancing with your club members and other visitors from our area...but they insist on trying to force you to dance their way of dancing. When my wife and I visit other clubs and/or go to conventions, etc., we respect other styles of dancing and look for the way that particular club does certain things when dancing. We don't force our normal "hands-up" on them, we adapt to their handhold. It avoids awkward situations and the likelihood of having bad feelings. That usually results in that you hope that person never gets into the same square with you again...even though it is never said. Some of the members in our club want to put a sign on the front door of our hall announcing to visitors that our club uses a hands-up handhold position but others feel it is a losing fight and the out-of-town visitors would ignore it anyway. I was also taught that you never force a lady to twirl (like some aggressive people do) and that if she has her arm down when approaching you don't twirl and if she has her arm up, that is your signal that she doesn't mind twirling on a Right and Left Grand. And if you do twirl you don't release her in such a manner that she loses her balance and/or goes into orbit or into another square. To summarize....we live by the old adage "When in Rome..." Richard M. -------------- next part -------------- An HTML attachment was scrubbed... URL: From cmbaker at tiac.net Tue Aug 16 01:12:00 2005 From: cmbaker at tiac.net (Clark Baker) Date: Tue, 16 Aug 2005 01:12:00 -0400 Subject: [Squaredancing] Thumb wheel poll results In-Reply-To: <8a479a619e06f24cc5dbf2f85719c79c@tiac.net> References: <8a479a619e06f24cc5dbf2f85719c79c@tiac.net> Message-ID: <0e0413582f9e3baf1846d3844377bb1e@tiac.net> The results of the Thumb Wheel Poll can be viewed at: http://www.misterpoll.com/results.mpl?id=588748608 If you meant to take it but never got around to it, you can do so at: http://www.misterpoll.com/poll.mpl?id=588748608 Only 6% feel that use of the thumb wheel is almost always a problem. 13% don't use the thumb wheel, 6% don't have one, and only 6% use it often. Of the people who use it occasionally, 30% use it to boost the music (like on a right and left grand) and 24% use it to lower the music when they give a command (I do both of these). When they move the thumb wheel, 4% move it as far as it can go, 40% move it only a little, and 56% move it a thumb stroke. 3% said that they thought they could improve their usage of the thumb wheel and that they would make the effort. 28% thought the were doing just fine, 20% thought they could make slight improvements and 27% thought that maybe they could make an improvement. My bottom line is that this is an area that should be mentioned in caller school and once a year at your caller meeting, but is is not an area that has a lot of problems and it doesn't need much attention. -- Clark Baker, Belmont, MA cmbaker at tiac.net From WA8VEC at ARRL.NET Tue Aug 16 02:55:39 2005 From: WA8VEC at ARRL.NET (Mike Gormley) Date: Tue, 16 Aug 2005 02:55:39 -0400 Subject: [Squaredancing] Subject: Roughness in dancing In-Reply-To: <78.7928c65d.3032c538@aol.com> References: <78.7928c65d.3032c538@aol.com> Message-ID: <43018DEB.70802@ARRL.NET> M0220sr at aol.com wrote: > > Why is it that some dancers feel the need to "arm wrestle" when doing > a Swing Thru or other types of arm turns? > > Our club dances "hands-up" (waves, etc.). Invariably there will be > one man, perhaps two, per night in the hall that insists in trying to > arm wrestle with you in the act of completing a Swing Thru and/or > similar movements. He can't just make contact, walk forward and > complete the 180-degree turn and release. He has clamp onto your hand > and apply an abundance of pressure on the turn usually pushing your > arm back and out of the way. This makes it much more difficult to > complete the simple movement. As a caller, when I get a report of something like this, I have the class make a "fist" just before stepping to a wave. They touch "fist to fist" and then do a swing thru like that. It teaches that all you have to do is "touch" but not "grab and squeeze". You could also use just one finger You can use the "fist" in either the Callerlab recommended "hands up" wave or the "regional difference" of forearm grips. Once they get the idea, go back to the proper hand hold. > > This same type of person will also force a lady to twirl even though > she has her arm down and not wishing to do so. > > Does anyone have a similar occurrence and perhaps a solution to this > problem? > > Richard M. > The problems mentioned are examples of there not being enough time to teach everything in one season. Allow your caller the time to properly teach the class. Mike Gormley Ohio (for now) -------------- next part -------------- An HTML attachment was scrubbed... URL: From ljknews at mac.com Tue Aug 16 07:54:23 2005 From: ljknews at mac.com (ljknews) Date: Tue, 16 Aug 2005 07:54:23 -0400 Subject: [Squaredancing] Subject: When in Rome In-Reply-To: <15b.57084a69.3032cc4c@aol.com> References: <15b.57084a69.3032cc4c@aol.com> Message-ID: At 12:57 AM -0400 8/16/05, M0220sr at aol.com wrote: > However, there is just one tiny aggravating thing they do....they want to >force you to use their style of grip instead of adapting to the hands-up >position like we do. They come to you to do an arm turn or a Swing Thru >and will bring your hand down into a forearm grip as much as saying, >"You're doing it wrong and I am more than glad to wrench your arm into the >proper position for us to get through the Swing Thru....and DON'T DO IT >AGAIN!" > > Why is that? I have been square dancing in the Boston area for 4 years now, and to me "hands up" Swing Thru is just a rumor. Some clubs and dancers in this area do a "hands up" Touch A Quarter and some (those who dance Mainstream and Plus with Advanced and Challenge dancers) do a normal (to me) Touch a Quarter. When the two types meet, somebody adapts. But conceptually doing a "hands up" Swing Thru seems quite hard to me. Of course wrenching someone else's arm is always wrong. > I was also taught that you never force a lady to twirl (like some >aggressive people do) and that if she has her arm down when approaching >you don't twirl and if she has her arm up, that is your signal that she >doesn't mind twirling on a Right and Left Grand. And if you do twirl you >don't release her in such a manner that she loses her balance and/or goes >into orbit or into another square. My training with the "Tug and Twirl" is that there is a little tug between dancers on the right hand (partner and opposite) for that flourish. I have never seen an "arm up" position on a Right and Left Grand. -- Larry Kilgallen From M0220sr at aol.com Tue Aug 16 09:13:25 2005 From: M0220sr at aol.com (M0220sr at aol.com) Date: Tue, 16 Aug 2005 09:13:25 EDT Subject: [Squaredancing] Subject: When in Rome Message-ID: My training with the "Tug and Twirl" is that there is a little tug between dancers on the right hand (partner and opposite) for that flourish. I have never seen an "arm up" position on a Right and Left Grand. -- Larry Kilgallen hehe...er...clarification: What I meant is that the lady has her hand extended to you (palm facing away from her) about shoulder height. If she normally twirls on a RLG then she is giving you the signal that she expects you to twirl her. If I don't see that I normally just do an easy pull-by motion. Actually, the man doesn't really have to do anything on a twirl as all he is doing is providing support for the lady as *she* twirls under the joined hands. My wife has arthitic hands and has to announce before the tip even starts not to twirl her. Some men are very rough and I've heard several ladies at times complain that they have a lot of pain in their hands afterwards from those who like to twirl regardless of the situation. You would normally think square dancing is a fun activity and it is for the most part. It's just unfortunate that some people get their jollies in a square by making it known to the opposite sex that *they* are in control and you WILL abide by what they want to do. At that point other people get that "Oh yeah?" attitude and then the tip is nothing but a wrestling match or a match of wills set to music. As far as the hands-up on Swing Thru's, our club adapted the CALLERLAB-approved style of handholds long ago. It works for us. We just feel that when we have visitors, it is the visitors who should not mind using what the dancers in our area use for a handhold in a wave instead of trying to make us dance like they do when they are home. I like the idea of using hands-down dancing A/C and can see that it would produce less stress on the shoulders, etc. I'll have to check with the A/C dancers in our area and ask what they do. Thanks for the info. Richard M. -------------- next part -------------- An HTML attachment was scrubbed... URL: From ljknews at mac.com Tue Aug 16 09:24:42 2005 From: ljknews at mac.com (ljknews) Date: Tue, 16 Aug 2005 09:24:42 -0400 Subject: [Squaredancing] Subject: When in Rome In-Reply-To: References: Message-ID: At 9:13 AM -0400 8/16/05, M0220sr at aol.com wrote: > My training with the "Tug and Twirl" is that there is a little tug > between dancers on the right hand (partner and opposite) for that > flourish. I have never seen an "arm up" position on a Right and > Left Grand. > -- > Larry Kilgallen > > > > hehe...er...clarification: > > What I meant is that the lady has her hand extended to you (palm facing >away from her) about shoulder height. If she normally twirls on a RLG >then she is giving you the signal that she expects you to twirl her. If I >don't see that I normally just do an easy pull-by motion. Ok, I have never seen that. In this area Tech Squares does a "Tug and Twirl" the way I described. That included on a Non-Banner Raid to the Hayloft Steppers this past Friday. Those Hayloft Steppers who chose to play that game could signal their interest with the Tug. > You would normally think square dancing is a fun activity and it is for >the most part. It's just unfortunate that some people get their jollies >in a square by making it known to the opposite sex that *they* are in >control and you WILL abide by what they want to do. At that point other >people get that "Oh yeah?" attitude and then the tip is nothing but a >wrestling match or a match of wills set to music. I have not seen that in any guise. > As far as the hands-up on Swing Thru's, our club adapted the >CALLERLAB-approved style of handholds long ago. It works for us. We just >feel that when we have visitors, it is the visitors who should not mind >using what the dancers in our area use for a handhold in a wave instead of >trying to make us dance like they do when they are home. But it is hard to do something with which you have absolutely no experience. The average dancer does not read Callerlab definitions to figure out what people do differently in other areas. -- Larry Kilgallen From WA8VEC at ARRL.NET Tue Aug 16 03:04:56 2005 From: WA8VEC at ARRL.NET (Mike Gormley) Date: Tue, 16 Aug 2005 03:04:56 -0400 Subject: [Squaredancing] Subject: When in Rome In-Reply-To: <15b.57084a69.3032cc4c@aol.com> References: <15b.57084a69.3032cc4c@aol.com> Message-ID: <43019018.2040101@ARRL.NET> M0220sr at aol.com wrote: > Subject: When in Rome > > Our club is in an area of the state we are in where it is known that > clubs in our general area dance "hands up" (waves, etc.) . When our > club dancers visit other clubs in our same area (and when they visit > us...) we know that they dance hands-up and everyone has fun. > > Dancers outside of our general area were taught by their square dance > teachers the fore-arm (and sometimes the handhold) grip for waves, etc. > > We generally have special dances once a month. Out of town callers and > cuers. People visit from other states as well as from one large city > to our south. From the city to our south, whose dancers primarily use > the forearm grip, dancers come and generally have a pretty good time > at our special dances. > > However, there is just one tiny aggravating thing they do....they want > to force you to use their style of grip instead of adapting to the > hands-up position like we do. They come to you to do an arm turn or a > Swing Thru and will bring your hand down into a forearm grip as much > as saying, "You're doing it wrong and I am more than glad to wrench > your arm into the proper position for us to get through the Swing > Thru....and DON'T DO IT AGAIN!" > > Why is that? Callers are not allowed enough time to properly teach the class, which should include "the rules of visitation". Allow your caller more class time to teach these things in the beginning classes and to stress things other than just the calls. > > The visitor is traveling into your area, visiting your club, dancing > with your club members and other visitors from our area...but they > insist on trying to force you to dance their way of dancing. When my > wife and I visit other clubs and/or go to conventions, etc., we > respect other styles of dancing and look for the way that particular > club does certain things when dancing. We don't force our normal > "hands-up" on them, we adapt to their handhold. It avoids awkward > situations and the likelihood of having bad feelings. That usually > results in that you hope that person never gets into the same square > with you again...even though it is never said. Some of the members in > our club want to put a sign on the front door of our hall announcing > to visitors that our club uses a hands-up handhold position but others > feel it is a losing fight and the out-of-town visitors would ignore it > anyway. > > I was also taught that you never force a lady to twirl (like some > aggressive people do) and that if she has her arm down when > approaching you don't twirl and if she has her arm up, that is your > signal that she doesn't mind twirling on a Right and Left Grand. And > if you do twirl you don't release her in such a manner that she loses > her balance and/or goes into orbit or into another square. > > To summarize....we live by the old adage "When in Rome..." > That's the general rule. > Richard M. > Mike Gormley Ohio (Until October) -------------- next part -------------- An HTML attachment was scrubbed... URL: From sdcaller1 at sympatico.ca Tue Aug 16 13:31:07 2005 From: sdcaller1 at sympatico.ca (Caller-G) Date: Tue, 16 Aug 2005 13:31:07 -0400 Subject: [Squaredancing] Subject: Roughness in dancing References: <78.7928c65d.3032c538@aol.com> Message-ID: <004901c5a288$4a9507e0$ec6bfea9@GEOFF> Primarily because they haven't been "corrected" when it first showed up! It's one of the key teaching points I focus on with new dancers & often have to 'repeat' (remind) with the more experienced ones. For Ocean Waves.. palm to palm "contact", no thumbs, no grips, just small pressure to say "I'm here". If you don't insist on 'contact only', then someone can get hurt if a swing thru is started incorrectly & someone is "hanging on" ! I tell dancers if they encounter a 'thumb grabber', then pull your own thumb across your palm so they can't grab it ! (if it ain't there, they can't grab it). For arm turns, 'contact' only, again no grips etc.... As a Caller I have to remain ever vigilant for this on the dance floor & correct it as I find it. I will not 'single out' a particular dancer in 'public' but will remind "all" about the correct way of doing it. If the problem persists with the same dancer, then I will have a "one-on-one" discussion with that dancer to get the problem corrected. With the age of our dancers being generally in the over 50 range, dancers can be hurt, either by a shoulder wrench &/or squeezed hands that suffer from arthritis, and that removes all the enjoyment for them. For the "twirlers", I tell the ladies 2 things - if you don't want to be twirled, then push the contact hand down. If that doesn't work, look him in the eye and tell him "I don't want to be twirled". And again, if the problem continues, talk to me & I'll deal with it. And, to keep it "light" with new dancers, when teaching these points the first time around, I tell them that if their hand gets squeezed, that they have my "expressed permission" to scream & drop to one knee.... they'll usually only have to do that once to get the point across ! In my 8 years of teaching new dancers, that hasn't happened yet, but I have had to 'talk to' more than one dancer about being rough. Goes with the Caller job description I guess? If you go to my website & click on "Callers Corner", there's an article there that I've written for our local Square Dance Magazine that all our local dancers get the chance to read. It never hurts to repeat the message! Geoff Clarke, Carleton Place, Ontario, Canada Web: http://callerg.squaresandrounds.com ----- Original Message ----- From: M0220sr at aol.com To: squaredancing at rbnsn.com Sent: Tuesday, August 16, 2005 12:27 AM Subject: [Squaredancing] Subject: Roughness in dancing Why is it that some dancers feel the need to "arm wrestle" when doing a Swing Thru or other types of arm turns? Our club dances "hands-up" (waves, etc.). Invariably there will be one man, perhaps two, per night in the hall that insists in trying to arm wrestle with you in the act of completing a Swing Thru and/or similar movements. He can't just make contact, walk forward and complete the 180-degree turn and release. He has clamp onto your hand and apply an abundance of pressure on the turn usually pushing your arm back and out of the way. This makes it much more difficult to complete the simple movement. This same type of person will also force a lady to twirl even though she has her arm down and not wishing to do so. Does anyone have a similar occurrence and perhaps a solution to this problem? Richard M. ------------------------------------------------------------------------------ _______________________________________________ Squaredancing mailing list Squaredancing at rbnsn.com http://rbnsn.com/mailman/listinfo/squaredancing_rbnsn.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From cmbaker at tiac.net Sat Aug 27 18:38:54 2005 From: cmbaker at tiac.net (Clark Baker) Date: Sat, 27 Aug 2005 18:38:54 -0400 Subject: [Squaredancing] Is MWSD in trouble? Message-ID: <7701d7e0247ee9466b319e11bcf56402@tiac.net> Over the course of 12 years Square Dancing in Springfield, MA grows to 40 clubs (with about 15 in Hartford, CT). Some of the larger clubs are dancing as many as 35 squares at an average dance, with greater attendance for out-of-the-area guest callers, and many other clubs dance 15 to 20 squares regularly. Beginner classes are conducted each year by each club, and twice yearly by many. Class size runs up to 15 squares in some cases. Two years later it suddenly became almost impossible to recruit enough new beginners to make it worthwhile holding a class, and attendance at club dances drops alarmingly. Several clubs disband, many gave up their classes, and many combined with other clubs for teaching. The two largest, most successful clubs in the Springfield area can only round up 9 couples for a class between them both. Attendance at all club dances is at an all-time low, with only 1/3 to 1/4 of the previous attendence. What went wrong? Perhaps your area is facing a similar problem. Since sometime in the 1980's I have heard people say that square dancing is declining or that square dancing is in trouble. Others say that it is OK, or just a cycle. By the 1990's most were convinced that something isn't right and that steps must be taken. However, what to do? Callerlab fiddled with the lists. Not much changed. Year by year we have fewer dancers and fewer clubs and the dance we do have are older. What I find fascinating is that the first two paragraphs of this e-mail were written almost forty years ago. Not only that, but the author described the current problems in great detail and proposed solutions in even greater detail. The first problem he faced was that no one would listen to him. Next, those that did thought he was wrong. Finally, those who listened and thought he was right were unwilling to make any changes! With his permission I have posted his analysis of the problems at http://www.tiac.net/~mabaker/western-style-in-trouble.html I would be interested in any discussions it engenders. -------- Finally, if you have an interest in this area, and if you live in New England I suggest that you attend the 2005 NECCA Clinic on Sunday, September 18 at the Holiday Inn on Lincoln St in Worcester, MA. Lubch at 12:30 and talk from 2 to 4pm. The topic is From Traditional to Contra to Modern Western Square Dancing -- How to be successful Our guest speaker is Ralph Sweet We welcome all callers and dancers to this event. See http://www.squaredance.ws/NSD_CVR.gif -- Clark Baker, Belmont, MA cmbaker at tiac.net From ljknews at mac.com Mon Aug 29 15:12:45 2005 From: ljknews at mac.com (ljknews) Date: Mon, 29 Aug 2005 15:12:45 -0400 Subject: [Squaredancing] Re: [sd-callers] Is MWSD in trouble? In-Reply-To: <6.1.0.6.2.20050829145354.02c6cda8@po2.bbn.com> References: <7701d7e0247ee9466b319e11bcf56402@tiac.net> <6.1.0.6.2.20050829145354.02c6cda8@po2.bbn.com> Message-ID: At 3:00 PM -0400 8/29/05, Kathy Godfrey wrote: > The discussion about the proliferating of square dance > callers adding to the problem is something I hadn't > considered as a serious issue before (I don't think > it is one now in the way that Sweet describes, > if only because there is now a de facto barrier > to entry that didn't exist back then--finding > enough bodies to call to as a new caller!). > > But the phenomenon that Sweet describes is > well known in economics--in an efficient > market, with low barriers to entry, any > arising opportunity to make money with > relatively little effort will attract > potential exploiters until the market > achieves equilibrium again Neither of the clubs where I watch the hiring process just looks to hire a caller willy-nilly or at the absolute cheapest rate. Hiring a guest caller always requires a champion within the club who has danced to that caller, likes that caller, etc. So for new callers entering the market there must be some special value that makes them attractive other than price. Choice of music, adherence to "standard applications" (or not), style of entertainment (the words the callers says that are not in the definitions) all play a role in these decisions. -- Larry Kilgallen